Australia National Maritime Museum

设计方：FJMT Studio

位置：澳大利亚

分类：文化建筑

内容：实景照片

图片：20张

摄影师：Brett Boardman

标签：文化建筑实景照片

这是由FJMT Studio设计的澳大利亚国家海事博物馆。该项目位于悉尼达令港南码头，为纪念第一次世界大战和澳大利亚皇家海军（RAN）成立100年而建。该博物馆 为游客提供了一个奇妙的活动体验，他们可以在海滨码头登上两艘舰船——驱逐舰HMAS Vampire号和潜水艇HMAS Onslow号。博物馆建在狭窄的码头结构上，并在预算紧张的情况下在达令港两艘最著名的舰艇之间建起了这样一座有特色的建筑。该设计旨在讲述战争的故 事，让游客与船舶、海滨、博物馆区建立起一种活跃的关系。展馆的外观和造型美观大方，与船舶的色彩和宽阔的海洋环境相呼应。军舰展馆为游客提供了一个动态 的，身临其境的体验。


Anchored to the South wharf of Sydney’s Darling Harbour, The Action Stations at Waterside Pavilion, Australian National Museum was built to mark the centenary of World War I and commemorate 100 years of service by the Royal Australian Navy (RAN). The purpose of this museum pavilion building is to create a transition experience for visitors from the waterfront dock onto the two navel vessels HAMS Vampire and HAMS Onslow. Built on a narrow existing wharf structure and to a tight budget the question was what should be the character of such a ‘building’ over the water of Darling Harbour and fitting tightly between two of the most significant Australian navel vessels.

The design seeks to bring the narratives of war to life and significantly enliven the visitors relationship with the vessels, waterfront and broader museum precinct. The articulated facade of the pavilion compliments the scale, form, colour of the vessels and the broader marine environment. The warship pavilion offers a dynamic, immersive experience and is an elegant, integrated addition to the Harbour precinct.

The suspended tube ‘hovering’ over the wharf, creates space at the wharf level to move around and experience the edge; where the vessels meet the water. The tube appears to ‘float’ in the air between the vessels floating in the water.This tube was then formally shaped and profiled in relation the natural movement of visitors from the dockside up into the building, through the portals and gangways onto the vessels.

The pavilion is further shaped by the primary forms of the adjacent vessels themselves, the conning tower of the submarine and the bridge of the destroyer creating central formal distortions. These distortions are then transformed into large glazed portals that frame lateral views onto the vessels.The interior of the Pavilion reflects elements of the interior of the navel vessels or an industrial shed; hardy, rough and adaptable. Sheet vinyl floors, insulted aluminium walls and industrial suspended fans. A lack of preciousness invites future change adaptation and evolution for future curators and visitors.